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Showing posts with label copernicus. Show all posts
Showing posts with label copernicus. Show all posts

Thursday, June 05, 2025

Paul Graham's Favorite History Books



Medieval Technology and Social Change by Lynn White Jr.
This seminal work argues that technological innovations were central drivers of profound social transformations in medieval Europe. Lynn White Jr. explores three key areas—the stirrup, the heavy plough, and the watermill—demonstrating how each technology reshaped social structures, agricultural productivity, and economic organization. White challenges the notion of the Middle Ages as a technologically stagnant period, showing instead how new tools catalyzed changes in warfare, land use, and feudal hierarchies.


The Copernican Revolution by Thomas S. Kuhn
In this intellectual history classic, Thomas Kuhn traces the dramatic shift from a geocentric to a heliocentric worldview initiated by Copernicus. Kuhn places this scientific upheaval within a broader philosophical and cultural context, highlighting how it redefined humanity’s place in the universe. More than a history of astronomy, the book foreshadows Kuhn’s later ideas on paradigm shifts, illustrating how scientific revolutions disrupt entrenched worldviews and epistemologies.


Life in the English Country House by Mark Girouard
Mark Girouard offers a rich, architectural and social history of English country houses from the medieval period to the 20th century. He examines how changes in architecture reflected and shaped the lives of their inhabitants, particularly the aristocracy. Through floor plans, diaries, and illustrations, Girouard unpacks the interplay of status, privacy, service, and family dynamics within these grand estates, providing a vivid lens into Britain’s shifting class structures.


Painting and Experience in Fifteenth Century Italy by Michael Baxandall
This influential art history study reframes Renaissance painting as a product of its social and cultural environment. Baxandall examines how patrons’ expectations, religious practices, and contemporary values influenced the visual language of artists like Piero della Francesca. Emphasizing the "period eye," he shows that appreciating art requires understanding the cognitive and social context in which it was created—a groundbreaking shift in art historical methodology.


Anabasis by Xenophon
Anabasis recounts the harrowing journey of 10,000 Greek mercenaries who march into Persia under Cyrus the Younger and must fight their way home after his death. Written by Xenophon, one of the expedition’s leaders, the work is both a military chronicle and a meditation on leadership, survival, and Greek identity. With vivid descriptions of terrain, battles, and diplomacy, Anabasis is a foundational work in Western military literature and historical narrative.


The Quest for El Cid by Richard Fletcher
Richard Fletcher investigates the life and myth of Rodrigo Díaz de Vivar, known as El Cid, placing him within the tumultuous context of 11th-century Spain. Drawing from Christian and Muslim sources, Fletcher portrays El Cid not merely as a national hero but as a complex mercenary navigating the political and religious fractures of medieval Iberia. The book challenges romanticized versions of the Cid, offering a nuanced view of frontier warfare, honor, and cultural interplay.


The World We Have Lost by Peter Laslett
Laslett’s social history challenges myths about pre-industrial life in England, emphasizing how different it was from modern assumptions. He uses demographic and archival data to reconstruct the structure of households, marriage patterns, and community life before the Industrial Revolution. The book reveals a world of small families, limited mobility, and tight-knit rural communities, complicating nostalgic notions of a “golden age” before modernization.